That’s been my guess for A LONG time. A LOT of bad music, empty of innovation and creative spark, filled with studio enhancement tricks to make talentless singers sound adequate, being shoved down our throats by the major labels, who then turn around and blame the bands and their fans for the piracy that is OBVIOUSLY killing music sales…
How about this…Indie Artists are producing and publishing volumes of great music everyday, and people are spending their consumer dollars ELSEWHERE. Yes, that’s right Sony, people are choosing to buy REAL MUSIC directly from REAL MUSICIANS and artist friendly music services, and it’s cutting into your sales and profits.
Like they say on Shark Tank…if you’re selling a crappy product, your sales are going to suck. OK, they don’t actually say that, but tell me it isn’t true?
Maybe if the record labels stop exploiting artists and fans, and start finding new, innovative, and inspired acts that are creating new and imaginative art, they can get back on track. Or, they can keep doing what they’re doing…exploiting crap for profit while shunning any semblance of true inspiration, and carving thier niche in history with the dinosaurs and 8 track tape decks in the car.
Anyhoo, check out the article that I sorta read before going off on this rant. Are Low Music Sales Simply Due To Bad Music?
Streaming music is a music lover’s dream. We now have access to the work of a wide range of artists, either for free (with ads) or for a small monthly fee. Popular artists are even making money on the model, with heavy rotation with services like Pandora, Beats, and Spotify. For smaller artists, however, the results aren’t always great.
For better or worse, a future where most music is available for streaming looks unavoidable. Recognizing this, independent record labels and their artists are finding ways to ride the wave on their own terms.
Sub Pop Records, the good people who released the albums of Nirvana (and for you Millennials, The Shins), just announced a partnership with streaming service Drip.fm. For $10/month, users can listen to a Sub Pop ‘feed’ featuring the label’s albums, singles, and exclusive tracks.
Sub Pop may be the biggest indie label trying to connect with their fans in this way, but they’re not the only one. Jagjaguwar, Secretly Canadian, and Fool’s Gold have made similar deals with Drip.fm. The argument goes that not only are artists going to better compensated with this model, but that labels will actually be able to use it to forge a stronger bond with their community.
Brand loyalty is very real in the world of independent music, with a tight-knit group of serious fans looking for ways to connect. Sub Pop was able to promote their brand via mix tapes and CDs in the 90′s, and are looking for the next generation of the model. People don’t want to connect with an algorithm, they want to connect to artists and each other.
With digital sales declining year to year as streaming services become more prevalent, even a small fan base willing to pay labels directly are being seen as a lifeline. How else could emerging or niche artists ever hope to make a living? A single stream of a song only brings a fraction of a cent to the artist.
A collection of independent artists created a service called Other People. In this model, users pay $5/month for a subscription that includes a weekly offering of songs. While not a major money-maker like Spotify, the project began paying for itself almost immediately.
While major streaming services still have something to offer to indie labels, like a way to get their music in the hands of anyone around the world, it presents a very real problem. We can expect to see more imaginative and cooperative concepts from indie labels in the near future.
Recorded Live At Indie Brew Studios- Jamie Gray And The Brew
This version of Jamie’s original song “90 mph blues” was recorded 7/19/2014 during the 6th annual Artists 4 Life Benefit to support the Children’s Cancer Association’s MusicRx broadcast.
Jamie’s set was over an hour long, and featured a 20 minute solo acoustic opening. This song came a couple songs into the electric portion of the show, featuring the 3 piece band: Jamie playing a vintage 70s Ibanez Musician electric guitar, along Chris Schmidt on Drums and Mr. Butch on bass and backing vocals.
“This was our first time really playing this song together…and you can tell. There’s some rough edges…mostly timing stuff. But there’s also a way cool bass solo that we squeezed out of Butch and a few cool sounds flew out of the old Ibanez as well. She’s been spending way too much time in her case up to now…I think you’ll be seeing more of her soon” ~jg
Without further Adieu: Jamie Gray and The Brew with 90 M.P.H. Blues